Thursday, April 3, 2025

Film ‘Santosh’ Blocked in India, Why CBFC Blocked the Film ‘Santosh

Digital News Guru Entertainment Desk:

The Indian film industry is once again at the center of a censorship debate as the highly acclaimed movie Santosh has been blocked from release in India. Directed by British-Indian filmmaker Sandhya Suri, Santosh explores themes of police brutality, misogyny, and Islamophobia within the Indian law enforcement system. Despite receiving international acclaim and prestigious nominations—including at Cannes and the Academy Awards (Oscars)—the Central Board of Film Certification (CBFC) refused to clear the film for theatrical and digital release in India.

This decision has sparked widespread criticism from filmmakers, raising concerns about the increasing suppression of artistic expression and freedom of speech in India.

Plot and Themes of ‘Santosh’

Santosh is a social drama-thriller that follows the journey of a widowed woman in India who joins the police force after her husband’s death. As she struggles to find her place in a male-dominated system, she becomes entangled in a case that forces her to confront institutional corruption, religious discrimination, and gender bias.

The film delves into deep-rooted issues within India’s police and judicial system, portraying how officers often face moral dilemmas between following orders and standing up against injustice. Through its bold storytelling, Santosh sheds light on:

  • Gender discrimination in law enforcement – The protagonist is constantly undermined and faces harassment from her male colleagues.
  • State-sponsored violence – The film depicts police brutality against marginalized communities, particularly Muslims.
  • Religious bias in the justice system – The story challenges institutionalized Islamophobia, showcasing wrongful arrests and community targeting.
  • The struggle for justice – The protagonist must decide between upholding the law and exposing systemic corruption, making Santosh a compelling tale of resistance.

The film’s unapologetic approach to controversial topics is believed to be a key reason behind its ban in India.

Why Was ‘Santosh’ Blocked in India?

Despite its critical success on the global film circuit, the CBFC denied certification to Santosh, making it illegal for Indian theaters and streaming platforms to distribute the film.

The official reasons cited by CBFC include:

  1. “Misrepresentation of the Indian Police Force” – The board claimed that the film’s depiction of police brutality and corruption could incite public unrest.
  2. “Communal Sensitivities” – Authorities argued that the film’s portrayal of Islamophobia within law enforcement might fuel communal tensions.

Critics, however, believe that the ban is politically motivated, aimed at silencing dissent and suppressing discussions on state oppression.

International Recognition and Global Success

While Santosh has been denied an Indian release, it has gained significant international acclaim:

  • Cannes Film Festival (2024)Santosh was screened in the prestigious Un Certain Regard section, receiving a standing ovation.
  • Academy Awards (Oscars 2025) – The film was nominated for Best International Feature Film, bringing Indian storytelling to a global stage.
  • Toronto International Film Festival (TIFF) – Featured in the lineup for impactful storytelling.
  • Berlin Film Festival – Won the Special Jury Prize for its bold narrative.

Impact on Indian Cinema and Free Speech

The banning of Santosh adds to a growing trend of censorship in Indian entertainment. Several other films, documentaries, and books that challenge state policies have faced similar restrictions:

  • BBC’s Documentary on the Gujarat Riots – Banned from Indian digital platforms.
  • The Kashmir Files Controversy – Faced criticism for its biased political messaging.
  • Padmaavat (2018) – Released only after major edits and political pressure.
  • Lipstick Under My Burkha (2017) – Initially banned for being “too lady-oriented.”

These incidents reflect a shrinking space for critical voices in India’s creative industries.

Conclusion

‘Santosh’ is a gripping social drama-thriller that follows the journey of a widowed Indian woman who becomes a police officer. As she navigates a corrupt and oppressive system, she is forced to choose between obedience to authority and standing up against injustice.

The ban on Santosh is not just about one film—it is a reflection of growing restrictions on free expression in India. While the government justifies the censorship as a measure to maintain law and order, critics argue that it is an attempt to suppress uncomfortable truths.

Despite the ban, Santosh has found a global audience, proving that powerful storytelling cannot be silenced. Whether it will ever be legally released in India remains uncertain, but the film’s impact on the conversation about justice, gender rights, and religious freedom will continue to resonate worldwide.


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